Wolfgang Mozart

Wolfgang Mozart

Wolfing Amadeus Mozart was born on 27 January 1756 to his father Leopold and his mother Anna Maria Pertl Mozart at Getreidegasse in Salzburg capital of Archbishopric of Salzburg (currently known as Australia). He was baptized one day after his birth and named Johannes Chrysostomus Wolfgangus Theophilus Mozart (Classical Net, 2011). He was named after his grandfather on his mother’s side, Wolfgangus Theophilus Mozart. Additionally, he was named after the saint on his date of birth, Johannes Chrysostomus (Classical Net, 2011). He was the first composer whose operas have never left the scenes of performances in the current days.

His father Leopold Mozart (1719-1787) was a German violinist, a composer and a concertmaster at the archiepiscopal court. At around 1763, he was appointed as the vice Kapellmeister at the Salzburg court. Additionally, his father was already a musician by the time Mozart was being born (Classical Net, 2011). He greatly contributed to Mozart’s life as a musician because at the early ages of Mozart’s life, he was his teacher. He used to teach Mozart the art of composing several operas and playing the violin. In addition, after noticing Mozart’s talent at the age of five, he took him all over Europe so that he could expose him to the world of music and meet other composers in his life. This made the career of Mozart to grow for he met some of the renowned musicians who contributed to the growth of his music throughout his life and his musical career as musician.

His mother Anna Maria Pertl (1720-1778) was a German woman married to Leopold Mozart at around 1747. She played a very influential part in Mozart’s life because she and her family traveled all over Europe to nature the talent of Mozart and her daughter, Maria Anna Mozart. This shows that she was supportive of Mozart’s musical career and she could do anything to nature the talent. Additionally, when Mozart went for a tour with his father leaving his mother and his sister, his mother was very angry because he wanted to be there to support her son.

As a young child, Mozart was being home schooled by his father with his sister. He was being taught how to compose his music. At first, he was taught how to play the keyboard by his father and at around five years, he surprised his father with the ability to play the violin on his own (Classical Net, 2011). Throughout his life, Mozart was being taught to play and compose his music by his father but he got a few tips from other famous composers that he met on his different tours that he went all over Europe (Classical Net, 2011). Additionally, his sister also helped him in learning some of the instruments like the piano because he used to watch his sister play and later put into practice.

The instruments that Mozart used to play were the keyboard, harpsichord, organ, and the violin (Classical Net, 2011). He learned all these instruments at a very tender age of five years. It was through his father and the observations that he made while watching his elder sister play. By the time he was a young man, he had perfected the art of playing these instruments and he had started to be known as a violinist but his switch to play the keyboard in his songs was referred to as the pick in his musical life. In his music, Mozart used the voice, self-baritone while singing the songs. Mostly the voice changed from time to time in accordance with the texture of the song.

According to Mozart’s range of life and years of musical work, he belonged to the traditional period in which classical music was being produced. The period ranges from 1750 to 1830. According to the life of Mozart, he was born in 1756 and died in 1791 therefore; he belonged to the classical era of music. This kind of music has been widely appreciated even in concerts today. Therefore, it can be concluded that the era of traditional music in which Mozart belonged to was the era of classical music. This was the time, which classical musical was being discovered by the different composers and musicians.

In his career, different people influenced him to shape the musical career of his life. The first people who influenced him in shaping his musical career were his family members. His father was the one who taught him how to become a musician and play several instruments as a young child. In addition, his elder sister was the one who motivated him while they were being taught by their father at very young age. He used to watch his sister play different instruments and he became fascinated by them. Another family member in his life that motivated his musical career was his mother who all through encouraged him and she had the opportunity to take him all over Europe to explore his talent (Classical Net, 2011). In addition, other people who were not family members motivated Mozart in his musical career. The musician, Johann Christian Bach was very influential in Mozart’s musical career and in some instances, Mozart used to visit him for guidance.

All throughout his musical lifetime Mozart used to compose the opera type of music. He sang these operas throughout his life. In his compositions, he used the gallant type of music, which was very new at that time. The gallant type of music was the new type, which had started to evolve (Mozart, Pack, Lelash, and Da Ponte 29). Therefore, Mozart used the opera and gallant types of music in composing, and singing of the different songs throughout his career as a musician and composer.

Mozart has contributed very much in the history of music as a musician. Although he died at a very young age, he left his legacy behind (Classical Net, 2011). In the history of classical music, his compositions are still heard all over the world in different concerts. Additionally, his music is also being used in the sound production of different movies and television programs like the cartoons (Porter, 2006). This shows that, despite his demise at a very young age, his music has left a legacy to be remembered not only in these years but also in many more years to come. In conjunction to this, Mozart has left a legacy in the classical music, which many students and musicians are using as part of their studies. Therefore, in the history of classical music, Mozart has contributed a lot and he will be remembered as the father of the classical music.

The musician died on 5 December 1791, at a young age of thirty-five years old. He fell ill at the premiere of his opera in the 1791 (Classical Net, 2011). Despite the illness, he continued to perform the operas until November 20 when his sickness intensified. In his final illness, he was bed ridden and nursed by his wife Constanze and his younger sister Sophie. All through this time, he was being attended by their family doctor. At around 1.00am on December 5, 1791 Mozart died (Classical Net, 2011). He died a penniless man with many debts despite the great achievements he had made as a musician and a composer. In addition, his grave remains unmarked, his bones cannot be located, and yet he is supposed to be recognized.

In the life of Mozart, there was an interesting story, which was very amusing. When he was through with his teenage life, Mozart met a young woman, Aloysia whom he fell in love with. She was a very talented singer as a girl. However, when he wrote a letter to his father to inform him of this, his father saw it as a catastrophe. He persuaded him out of the idea and eventually stopped seeing the young woman. When he came home, Mozart had a fight with his father and went away to the family of Aloysia, only to find that she was already married. He tried to plead with her but she told him that his love to him was no more. After several years of staying with the family of Aloysia, Mozart fell in love with Aloysia’s younger sister Constanze. The mother of Aloysia convinced Mozart to marry her and they later signed a marriage contract of intent. The most amusing thing is the dilemma of, first falling in love with Aloysia, then later he fell in love with Constanze and finally, the mother of the two daughters convinced him to marry Constanze.

Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or the Day of Madness)

It is a comical kind of opera, which was first composed by Mozart. He composed it at around 1786 (Snowman 2011). Mozart later collaborated with Don Giovanni and Cosi Fan Tutte. The song is based on a stage comedy by Pierre Beaumarchais, which was first composed in 1784 (Mozart, 32). However, the play was banned because of its satirical, which was considered dangerous to the society before the French revolution (Mozart et al. 29). The opera later became to be known as one of the most successful works of Mozart in his musical career.

The music can be characterized as an opera type of music, which is very fast. At first, the music is like an acapella and later it is joined by the piano. Its rhythm varies with the different section of the song. The opera has a very comic melody, which is very rough (Mozart et al. 29). Therefore, the harmony of the music can be said to be a very rough harmony because in some parts, there are places where it contains very high tones while there are other parts where it contains very low tones.

Additionally, the music can be said to contain high pitches to stress the climax of the song and to bring about the message in which the song is trying to talk about. The song has the best notes, which can be used in the study of music due to its different parts, which have different tone variations and pitch (Mozart et al. 29). Additionally, the song is usually characterized by its high pitch, which the singer usually sings when he is at the point of climax.

 

Works Cited

Books

Mozart, Wolfgang, Amadeus. Mozart: The Man and the Artist, as Revealed in His Own Words. Echo, OR: Echo Library, 2007. Print.

The author of the book is trying to show some of the works by Mozart’s and he has included the letters that Mozart wrote in his different journeys in Europe.

Mozart, Wolfgang, Amadeus, Pack, Robert, Lelash, Marjorie and Da Ponte, Lorenzo. Three Mozart Libretti: The Marriage of Figaro, Don Giovanni and Cosi Fan Tutte. Stockton, CA: Courier Dover Publications, 1993. Print.

The authors of this book are describing the three most famous of Mozart. They are describing when and where the music was first composed and sung.

Journals/Articles

Porter, Andrew. “Arts – Cosi Fan Tutte – Wolfgang Amade Mozart (glyndebourne).” Tls, the Times Literary Supplement. (2006): 18. Print.

The author of this article is talking about the works of arts of Mozart and how he used to portray his music in concerts.

Rosenthal, Julia & Maud Rosenthal. “Catalogue 41: Wolfgang Amadé Mozart and His World: a Prodigy’s Progress.” Otto Haas, 2006. Print.

In this article, the author has given a chronological account of events in which Mozart went through his musical career.

Online web sources

Classical Net. “Wolfgang Amade Mozart.” Classical Net. 12 April 12, 2011. Web. 12 April 12, 2011.

            The author of this article has used written a detailed account of all the events that Mozart went through his life since he was born.

Snowman, Daniel. “A short history of opera.” Royal Opera House. 12 April 2011. Web. 12 April 12, 2011.

In this article, the author is talking about the history of opera. In addition, the author has talked about the different operas by Mozart.

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