4. Consider Chartres Cathedral. What is the history of the site and the church? How does the design of the church reflect the values and needs of Christians? How was/is the space used by worshipers? What symbolism is shown in the art of the church (the building, its windows, sculpture, etc.)?
11. Compare and contrast the self-portraits that the artists Michelangelo, Raphael, and Jan van Eyck included in their respective works The Last Judgment (3.124), The School of Athens (3.125), and The Arnolfini Portrait (3.127a). How has each artist included himself in his work? Considering the great reputations of these artists, even in their own lifetimes, why do you think they made these self-portraits so subtle?
14. Compare Michelangelo’s Creation of Adam from the Sistine Chapel ceiling with William Blake’s Elohim Creating Adam .Discuss how the formal differences convey the contrasts in meaning of the two artworks.
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