After his success in wooing Lady Anne (in front of the coffin of her father-in-law, no less), Richard delights in finding that his physical deformity somehow becomes an erotic asset, obviously fueled by his growing personal and political power. Can we view Richard’s quest for the throne in terms of an erotic trajectory—and if so, at what point in the play is that “deflated”?

After his success in wooing Lady Anne (in front of the coffin of her father-in-law, no less), Richard delights in finding that his physical deformity somehow becomes an erotic asset, obviously fueled by his growing personal and political power. Can we view Richard’s quest for the throne in terms of an erotic trajectory—and if so, at what point in the play is that “deflated”? Consider bringing into your discussion one or more of the following: the Instructor’s “Study Guide for The Tragedy of King Richard the Third”; Jean E. Howard’s essay, “Shakespearean History”; and Stephen Greenblatt’s introductory essay, “Richard III.”

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