1.According to Ackerman, what shaped the Lombard style of building before the arrival of French advisors in Milan?
2.Ackerman characterizes the original builders’ inability to build in a new style as a ‘failure’, and calls the ‘provincial’ tradition ‘inadequate’. What does he mean by this?
3.By p. 97 it should become clear that Ackerman has a decided opinion about the competence of the Italian builders. What is it?
4.However, in the end Ackerman is forced to concede a different conclusion. What is that?
5.What, then, does he mean with his title, “Ars sine (without) scientia nihil est (is nothing)”?
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