Paul Cézanne
Paul Cézanne was an impressionist because of his high regard for painting using deep colors and distinctive strokes of the paintbrush. Paul Cezanne’s work is appreciated throughout the world and is regarded highly for bridging the divide between the Impressionism form of art that was predominant in the 19th century and the new form of art, which was referred as cubism. Thus, Cézanne is regarded highly in the world and some referring to him as the father of art as he provided an avenue into a new form of art (Venezia, 9).
Cézanne is thought to have been an Italian descendent hence his name, which has Italian origin. He was born on January 19 1839 in Provence, southern France. Cézanne came from a well to do family because his father, Louis-Auguste Cézanne was a co-founder in a bank that became prosperous and thus he afforded them all luxuries that money could buy. Cezanne was however influenced by the beauty of his mother and her passionate approach to people and life. He drew a lot of inspiration from her attitude towards life. In addition, Cézanne had tow siblings, Marie and rose with whom he went to school with as they afforded the opportunity to attend school. After finishing elementary school, he joined the college Bourbon currently known as the College Mignet where he met Emile Zola and Baptistin Baillé with whom they formed a bond due to their passion for intrinsic art (Venezia, 19). They became known as three inseparables because they spent most of their time in the company of each as they shared the same ideology on art. He later joined law school in the University of Aix form 1859-1861 following instructions from his father to do so while he attended drawing lessons.
Cezanne followed his calling to art in contrast to his father’s wishes whereby his father wanted to take to the banking field and follow in his footsteps to co-manage the bank that his father had helped to form. He left the city of Aix for Paris in the year 1861 to pursue his dream of being a famous artist. His decision to leave Aix for Paris created a divide in his relationship with his father. However, they later reconciled after his father agreed to support him in his choice of career, this also influenced his father to give him his inheritance of 400,000francs that aided him to live his dream of art after suffering in Paris without money. Paris would offer the biggest chance of achieving his dream as it was filled with people from all over the world and mostly art enthusiasts. In Paris, he met Camille Pissarro who was one of the greatest influences in the life of Cézanne on the kind of art that he developed. Pissarro was an impressionist and this explains the decision by Cézanne to use impressionism in his artwork. Pissarro and Cézanne had a relationship that was equal to one that exists between a master and a disciple. They both developed a strong bond and traveled around France in painting excursions that soon developed into a relationship of two equal people as they were both talented in their own rights (Venezia, 33).
Cezanne’s initial work was mostly concerned with landscapes, groups of people in heavy pictures that were based on the imaginations of Cezanne (Doran, 65). However as he became experienced and grew in art he started to develop art that was based from visual observations that became a foundation of his art. He started painting works that were lighter in color and airier than his previous initial works. He developed his work on many approaches such that he developed work in their geometric essentials such that a real object, person was developed in accordance to the shape that would be attributed to the visual object. For example, a round fruit was projected as a sphere. This developed the different visual perceptions of objects in paintings that required deep knowledge of spatial relationships between objects. Most of his works were perfected in the 19th century as he focused on still lives, bathers and landscapes that were his main subjects of painting. He preferred to work in isolation such that he moved form Paris to Provence despite having gained recognition and financial success such that his paintings were featured solo a painting collector in Paris by the name Ambroise Vollard. Cezanne was criticized by people for his impressionist approaching developing art. Some considered him as a disgrace to his town of Aix such that an article was published in a local daily titled ‘Love for the Ugly’. Cezanne later died on October 22 1906 of pneumonia after working in the fields in the midst of heavy downpour. His artwork was influential in developing the modern day art that is an incorporation of historical forms of art and cubinism (Venezia, 77) .
As illustrated by one of the paintings of the card players, he had mastered the art of impressionism. The use of deep colors, which is a major characteristic in impressionism, is clearly used by Cézanne in the painting. The painting tells us that during the time those men preferred the art playing cards as a form of relaxation. The painting is illuminated by bright light to suggest that it was a good political era or financial era for the public and for Cézanne. In addition, the use of deep colors might be a sign of affection for the art and his home of Aix where the game of cards was popular among older people. The men sitting on the table playing cards are nobles or elite in society whereas the man looking on is aloof as illustrated by the crossing of his arms. It might also be used to suggest that the nobles and elite were not regarded highly as they oppressed those that were form a lower class. The clothing of the men in the sitting are expensive as exhibited by the color, it suggests that the artist was from a well to do family, as he was able to relate with people who were elite in society. The painting provides a clear illustration that it is from a seasoned painter with the ability to transform real life aspects and put them on canvas. His works are of significance as they set precedence for budding artist such as Pablo Picasso who used impressionism and perfected the use of cubinism to develop remarkable artwork that draws art enthusiasts from all over the world (Paul Cézanne: The Complete Works, 54).
Work cited
P M. Doran. Conversations with Cézanne. Berkeley: University of California Press, 2001. Print.
Paul Cézanne: The Complete Works. The Card Players. http://www.paul-cezanne.org/The-Card-Players-large.html
Venezia, Mike. Paul Cezanne. New York: Children’s Press, 1998. Print.
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