Arguably, both Walter Benjamin and Susan Stewart see some positive potential within mass culture for a creative, self-productive, even liberatory relation to the world of commodities. What are their basic arguments-and, how do they differ? Do you agree

This course looks at transformations in the basic terms and conditions of mass culture in Japan, largely from the early 20th century to life in Japan today. It includes consideration of differing theoretical positions on mass culture, everyday life, and modernity in Japan. Materials taken up in the course include examples from cinema, animation, literature, theater, as well as new media and the fine arts. Although the focus is on Japan, a comparative perspective with the rest of Asia and with the West is retained throughout.

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